Tag Archives: Books

Dear Writer: STOP Releasing So Many Novels!

As I’m sure you know, dear readers (or Mom… Hi, Mom!), I’ve come to a couple realizations over the past year or so since the release of my first novel. The biggest revelation, the one where I decided to go back to writing for myself, I’ve written about extensively already, and you can read that post here (plus, there’s a potato! Who doesn’t like potatoes?!).

Scalloped Potatoes

Hmm… Scalloped potatoes…

But the focus of this post will be on something I’ve wanted to say for a long time, but I’ve been a little wary of the potential backlash I might face. I’d first like to preface this by saying that everyone’s writing/publishing journey is different. Every individual writer is unique, and what works well for one writer may not work well for another. And that’s two-fold: I acknowledge that what I’m about to say is simply my opinion, and it by no means is meant to shame other authors or demean their work. Besides, you do you, fellow writer, you. There are no rules in writing. Well, there are, but you know…

Okay, deep breath. Here goes.

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SLOW DOWN!

I’m not on board with the culture of write-fast, publish-much that’s taken hold of the publishing industry lately. Okay, amendment: I’m not on board with the culture of write-fast, publish-much that’s taking place in the indie author sphere (because, let’s be real, long production times are the norm, albeit necessary, with a traditional publisher).

What is the write-fastpublish-much culture, you ask? Today in the publishing industry, especially in the indie-author market, quantity is king. I’m not saying that quality isn’t being taken into account, because to some extent it probably is, but there is a new mantra for indie authors like myself: write a lot and publish as often as possible. That means that some authors are publishing three or more novels a year, sometimes as many as ten novels a year.

“But that’s not a bad thing, Michael,” you protest. “If I write three or more novels a year, and I’m able to release them, whether through a small press or a self-publisher or on creased rolls of toilet paper, why shouldn’t I? Besides, I’m building my brand, and to expedite the process, I’m growing a catalog  of my titles so that readers can discover my work.”

Well, in my opinion, there is a big problem with that mentality.

The Eternal Quality vs. Quantity Conundrum

I’m not going to lie, I judge authors who feel the need to release more than two books a year. Okay, second amendment (and I’ll be generous): I judge authors who release three or more books within a year ESPECIALLY if the three books are not part of the same series. I’m sorry: a writing career shouldn’t be a puppy mill of stream-of-consciousness vanity projects. I just don’t see how anyone has the time to publish more than three novels a year AND maintain consistent literary quality.

To me, releasing novels rapid-fire-style is indicative of premature work. If five or ten or *gasp* fifteen individual novels are being released per year, how much time was spent on each one? How many drafts did you write? How long did you spend on developmental editing? Copy editing? Proofreading? Getting notes from beta-readers? What about that break you should take between the final edit and the final read-through to clear your palate? I’m pretty sure a single evening of binge-watching Netflix doesn’t count.

Sure, if you’re a full-time writer and you have a really quick team of beta-reader/editor-robots, you could have a really good, polished manuscript in a year. Eight months if you’re lucky. But a quality novel every month and a half? I just don’t believe it’s possible. Sure, if you have a back catalog of novels you’ve written since childhood and you think they’re all ready to go at the same time, by all means, release away. But three or more is overwhelming, and did you ever think that maybe those back-cataloged books are in the past for a reason?

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“You get a new novel! And YOU get a new novel! NEW NOVELS FOR EVERYONE!”

So, where’s the sweet spot? How many novels should you release a year in order to ensure highest quality? I don’t know, frankly. But I have a hunch: unless you’re J.K. Rowling or Shakespeare or Stephen King, or you’ve had independent third parties verify your equivalency, I’d focus more on the quality of your work and not on the quantity if I were you.

And Now: A Moment for Cheese

Because let’s be real. The number of books released in a year is just that: a number. The ratio of novels to years is arbitrary. But you know what’s not? Quality. In my opinion, books are like good cheese or wine. Good cheese and wine need time to grow–time to mature. That’s why older cheeses and older wines are more expensive: they’re better because they’ve been given time to sort their sh*t out. I’m just doubtful that the sixth novel you’ve released this year is any good.

What’s the rush for? Take your time. Be the aged cheddar of the publishing industry: digestable and dependable and a classic. Be the brie: smooth and double-creamed served with red pepper jam. Hell, be blue cheese: an acquired taste but oh-so-prolific.

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Please excuse my drooling.

Just don’t be processed cheese. Got it?

But wait!

I’m not saying it’s not possible to draft a novel in a month or less. That happens all the time, and even though sometimes I take  upwards of a year to complete the first draft of one of my novels, I know that is not the norm. Drafting a novel quickly is not the problem; rather, the problem is releasing everything that touches a Word document within six months of conception in an attempt to inflate the number of works attached to your name.

What do you think? Is it a good idea to release a lot of novels in a short time span? How many books will you release this year?

My State of the Union Address (Why I Quit Writing)

The long and short of this post is that I’d like to say that 2015 was a mess: a good mess in some ways, and a terrible, pull-my-hair-out-and-cry mess in others. I’ve debated about doing this blog post for a while because I’m not really sure what will come of it, let alone where it will go or what it will and will not talk about. But I’ve decided to just do it (in lieu of the freelance editing I *should* be doing, lol) because I think I owe some people an explanation (and a blog post or two) and I definitely owe myself the release of saying some things and letting them go.

So, without further ado, this is my February 2016 State of the Union Address, the state referring to my state (more mental state than anything, as my hobbit stature leaves little to be desired) and the union being my writing career.

Also, I’ve been watching the US primaries on TV a lot lately, and I’m quite political at the moment. But that’s for another post…

First things first, let’s paint the scene: it’s March 2015, I’m working a 9-to-5, I’m getting paid well enough, but my contract is ending at the beginning of April and I know I’ll be flung into the jobless abyss soon enough. But that’s okay! I have a novel releasing in May and dreams of being self-employed as a freelance writer and editor while continuing to work on my fiction career, so I’m hopeful.

Spring 2015 comes, and I’m in the thick of doing final prep for my debut novel “The Black Oracle“. I’m working tirelessly at a freelance writing career, making modest returns but ultimately working more hours than I’m being paid for. At one point, I calculated I was working for $5.00 Canadian an hour after all was said and done — and that was when I was being paid… (We won’t mention the guy who commissioned work and then, when payment time came, disappeared off the face of the world). But again, it’s okay! This is what being a struggling artist is all about, right? I’m happy (tired, but happy), and I feel like I’m moving in a direction that I like, and at the end of the day, I’ve always said I’d rather be poor and happy than rich and miserable. And to prove that, I take a trip to Calgary the week before my release date to celebrate.

And then it’s release day! Copies of “The Black Oracle” arrive at my house, purchase links go live online, and to top it off, an agent (yes, a REAL, live, accomplished agent! THEY EXIST!) responds to a query for a separate novel and says she’s interested in reading it in full. Five days later, I’m at my book launch event, and friends and family and even people I don’t know are buying my book, and even though I’ve only had one hour of sleep (‘cuz I partied a touch too hard the night before), it’s a success!

Needless to say, I’m on top of the world. My dream is coming true right in front of my eyes, and I’m doing everything I said I was one day gonna do. Take that naysayers!

But at that moment, that’s where everything started to fall apart.

I can’t pinpoint why it happened, but it started around June. For lack of a better word, I started to become depressed. This isn’t a woe-is-me post, and I promise I’m not going to focus on this for too long because the POINT of this post is still to come, but the truth is, I just wasn’t happy anymore. After the initial sales bump of The Black Oracle’s release, sales fell drastically. No one was reading my book, few people were reviewing it (even when I was offering it for free), and I fumbled on marketing the book (mostly because I just didn’t know what to do). Further, the agent decided she didn’t want to represent my next novel (which is completely okay!), and the signings I went to depressed me more than anything. For most of them, I sat in the back of a bookstore while customers avoided eye contact and my cookies (who avoids cookies, though, for real?).

This feeling peaked in July after the final signing I went to. I carried my box of books into the store in the pouring rain (pathetic fallacy, much?) and literally did not sell a single copy over the two-hour signing. To add insult to injury, the manager of the store came up to me after the signing was over and told me that I should be more interesting. As an introvert, not only do I not know how to be more interesting, but I wasn’t even sure what that would mean (“Should I dance? Do readers like it when authors dance?”).

Besides, was I not interesting enough already?

The next few months were hard for me. I stopped marketing completely. I stopped looking for freelance work completely and watched my income plummet. I couldn’t write anything, and when I tried, I just made myself angry, like delete-my-document, throw-my-laptop angry. I remember one day talking to my mum on the phone and practically crying.

On top of it, I was for all intents and purposes unemployed. I was unproductive and unhappy. I focused on side projects and watched them crash and burn. I was ashamed and upset and embarrassed for myself and for my work. I was a failure, and I felt like I was wasting time on something that I had a hard time identifying with anymore. I was ready to give up writing.

And then I did.

One day, I just decided to stop. I had some writing-related obligations, some of which I finished, others which I flubbed on entirely. But in essence, I had given up. I wasn’t going to write anymore. I didn’t want to write anymore. I stopped writing completely and became focused on getting a full-time job (the one thing I SWORE I would never return to).

And in a way, giving up was exactly what I needed to do.

*Cue turning point in post. I apologize for the dramatics.*

In that moment, quitting was good for me. I broke away from writing. I didn’t touch it for four full months (after writing non-stop since I was 15, that was a big thing). I moved back in with my parents. I redecorated my childhood bedroom. I decided to start tutoring French and English as a way to create income while I waited for a full-time job (okay, my mum encouraged me, but we made it happen).

And then all at once, the tutoring became the full-time job. I was making enough money to pay the bills (yes, I live with my parents, and I pay bills…). I was tossing around the idea of travelling again and moving out again and starting a business and hiring employees. I noticed my mood was improving (being on unemployment insurance is soul-destroying), and I was enjoying myself more, and I was allowing myself to do things that I hadn’t done in years because I had been so fixated on becoming a full-time writer.

But what was troubling was that I was surviving. I had gone four months without writing, and of course I missed it, but what I didn’t miss was the pressure. I didn’t miss advertising my book and my “brand” to every available ear and eye. I didn’t miss tirelessly emailing reviewers and scouring websites for someone–anyone!–to care about what I was doing. Most of all, I didn’t miss the pressure of writing for some magical, probably non-existent audience that would propel me to the status of full-time writer.

And all of this was troubling because it meant that maybe I could survive without writing. That maybe I was more than my writing.

That maybe I wasn’t meant to be a writer.

So, I gave myself a window. I said, “Michael, go back. Write something. See where it goes. If you’re happy, keep going. If you’re not, stop.” I was giving myself the freedom to give up again if I wanted to. I was allowing myself to be creative without worrying about what audiences or editors or literary agents would think.

I was allowing myself to have fun again, something I hadn’t done in years because I had been so obsessed–nay, sick with the pressure of taking my writing and making money on it.

Because what I realized during that time was that I didn’t need to make money on my writing to be successful. I could redefine what success meant to me. If success meant that I never published again but I could have fun doing what I loved doing, then that’s what I was going to do. If success meant writing for myself and not giving a flying f*ck about what would sell or what was marketable or what was interesting (I’m still not over it, bookstore manager!), then that’s what I was going to do.

In short, the purpose of my writing had shifted over the course of 2015, and the focus on the financial side of the arts industry was robbing me of my creativity and depressing me because I was equating sales numbers and review counts with my definition of success. Once I took the money out of the writing equation, once I had stopped freelance writing and editing (minus a few good, reputable contracts), I was left with just the thing I loved in the first place.

And that thing was writing.

So, I’m glad I quit writing. I’m glad I gave up. Quitting writing gave me the opportunity to start to rebuild myself and rebuild my life. I guess the purpose of this post is to say that if you’re in the place that I was at (Editing Note: “In the place that I was at” is sloppy, but I think I’m gonna leave it to make a point), in that place where everything feels hopeless and you’re ready just to give up on your dreams (writing or unrelated), honestly, just do it.

Just give up.

Because if you love it enough, it will come back, and if it doesn’t, maybe it was never meant to be.

Thanks to everyone for sticking by me the past year, and thanks for reading this if you made it all the way through the post.

As per 9gag community etiquette, here’s a potato. Sorry for the long post.

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New Release: Gyre by Jessica Gunn + Interview

Hey everyone,

Long time, no see. I know, I know. It’s been a while since I’ve been around these parts. It’s been quite a crazy past few months, you see. Between secret projects and new manuscripts and a new business I launched in October, I’ve been a little out of sorts and definitely slacking on blog posts.

So, I’m back! And to kick off my return, I have an interview with an amazing New Adult Speculative Fiction author (and good friend of mine) named Jessica Gunn whose first novel Gyre has been published TODAY (AHHH!!!). Check it out:

  1. Hey Jessica! Congrats on your first novel being published! Having had my first one published last year, I know it is an awesome yet terrifying experience. How are you holding up? Any plans for release day?

Hah! I was doing okay until the book went up on Netgalley. But really, I’m excited. This is my dream! Regardless of what happens next—though I do hope readers enjoy the book—there’s self-satisfaction in this and I’m going to enjoy every bit of it. Especially because this is Gyre that’s being released into the world. Gyre and I have been through a lot!

  1. What was your journey to publication like?

Long and filled with many revisions! I started Gyre in November 2012 for NaNoWriMo, then spent many, many months revising the bookGyre Cover_2000.jpg. It was the first novel I really took seriously as far as publication went, so it was also the first manuscript that’s had critique partners look at it. Since 2012, I think Gyre went through 4 major overhauls and 2 querying rounds, including a Pitch Wars run, before it finally found a home at Curiosity Quills who, actually, was the first press I looked at in 2013 that I wanted to send it to if I went the small-press route.

  1. So, let’s be clear, Gyre is awesome (check out my review)! Where did you get the idea? What are the major inspirations for this novel?

I’ve always been in love with the idea of Atlantis and other ancient mysteries. I find the idea of Atlantis almost romantic and I really just wanted to explore it in a new way and without the various sea creatures usually attributed to it. The rest of it sort of just fit together.

  1. Without giving too much, Gyre focuses on the lost world of Atlantis. Have you always been interested in lost worlds? Why did you choose to write about Atlantis?

Yeah, pretty much. I’m not sure exactly when or how the fascination with lost worlds started but I’ve always been into ancient history and dinosaurs and fantasy, especially Atlantis. I’ve always wanted to use Atlantis in a story, so for Gyre it was an instant choice, but it also worked because I wanted to use a more atypical setting for new adult fantasy/sci-fi, and “underwater” fit. Besides, the story of Atlantis is so timeless! I don’t think I’ll ever get enough of Atlantis stories 🙂

  1. On your website, I saw that you have a degree in Anthropology. That’s so cool! How do you think that influences your writing and Gyre?

I think I approached the mythology and historical aspects a bit differently, in that my characters tend to try debunking things instead of just going with it. For instance, Chelsea doesn’t want to believe they’ve found evidence of Atlantis. In fact, she might be the last person on the whole station that accepted what they found. I’ve found anthropology, specifically the archaeology field, is as much about studying humans as it is debunking crazy claims until there’s nothing left but the truth.

  1. I was excited to find out the Gyre is the first book of a larger series called The Atlas Link Series. How many books will there be? What can readers expect from the rest of the series? Can you give us any tidbits to tide us over until book two?

Yay! I’m glad you enjoyed Gyre enough to want to read more 😉 There are five planned books! I so really shouldn’t give tidbits for risk of spoiling Gyre but I can say that as far as the time traveling and ancient history aspects go, what the characters discover in Gyre barely scratches the surface.

  1. Now that your first novel has been unleashed on the world, what advice do you have for prospective published authors? Is there anything you would have done differently?

There’s a fine line between writing for yourself and writing what the market wants. Sometimes it’s good to steer way away from that line and do what you love, and sometimes there’s a good reason to tread carefully. I wish I’d have known that, as well as knowing that everyone’s on this journey at a different pace. Your publication journey will never be identical to someone else’s, so there’s absolutely no use in comparing. Easier said than done, I know.

  1. Last question: in a sense, Gyre focuses on travel and uncovering the unknown. I myself am a huge travel nut. If you could travel anywhere, whether the place is in the real world or completely fantastical, where would you go? What would you bring with you?

I’m not sure if this is cheating, but I would 100% go to the Tardis and I would bring the Doctor. Then I could go anywhere, in any time. Even if the Tardis decided to be snarky like she sometimes is and drop us off wherever she wanted, at least I’d have gotten to the Tardis!

Not cheating answer: Stonehenge, right after it was built. That’s one mystery I want to see absolutely solved!

And Now… More About Gyre:

Chelsea didn’t try to teleport. All she wanted was to play the Battle of the Bands show. But after accidentally teleporting onto classified Navy vessel SeaSatellite5, all she’s rocking is the boat. Once it’s sorted out that Chelsea’s not a threat, SeaSat5’s top scientist offers Chelsea a position on the crew as an archaeology intern. Dr. Saint studies people with powers, believing them to be descendants of Atlantean refugees, except Chelsea’s powers are beyond anything on previous record.

While great for everyone else onboard, the miracle of Chelsea is Trevor’s worst nightmare. The same girl who’d given him a brief lifeline to sanity three months ago literally fell from the sky, under a mile of ocean, and onto the very station where he’s employed. Making matters worse, Trevor’s family are Lemurians, Atlantis’s enemy, and Chelsea’s presence is unpredicted—a wrench in an already unstable situation. But Trevor wants no part of his family’s war. The only thing he wants is Chelsea, Atlantean or not.

Days into Chelsea’s sudden appearance, SeaSatellite5 uncovers Atlantean ruins and a massive artifact cache, placing its entire, hundred-man crew in the crosshairs of an ancient war. There are those who want the Atlantean relics inside the ruins destroyed, and only Trevor knows the treasures for what they really are: Link Pieces, tools used by the ancient civilizations for their time-travel war.

With lies and shifting alliances abound, Chelsea and Trevor will have to think fast in order to save the station. If they don’t, the Lemurians will seize the artifacts and Atlantis will be destroyed forever.

Buy GYRE on Amazo

More About Jessica Gunn:

Jessica GunnJessica Gunn is a New Adult author and avid science fiction and fantasy fan. Her favorite stories are those that transport the reader to other, more exciting worlds. When not working or writing, she can be found binge-watching Firefly and Stargate, or feeding her fascination of the ancient world’s many mysteries. Jessica also holds a degree in Anthropology.

To catch up with Jessica, follow her on Twitter (@JessGunnAuthor) or on her website, www.jessicagunn.com.

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Secret Project… SHHH!

Hey everyone,

It’s been a while, hasn’t it? Summer has happened, and life has happened, and everything is all up in the air in regards to my life and what’s next from me in terms of a second novel, but in the midst of it all, I decided to try something new.

The publisher for “The Black Oracle” has long recommended that authors create a YouTube channel to promote their work, and though I was originally opposed to the idea, I decided to give it a try. So, I started working on a secret project: a YouTube channel that I launched on Wednesday! Watch the video below to hear me read excerpts from my novel “The Black Oracle”.

Just Kidding

JUST KIDDING!

That would be boring as hell, wouldn’t it? I know it would, I rolled my eyes myself (no one wants me to babble on and on about a book I wrote). Instead, I decided you can hear me babble on and on about something else — something a little lighter than my writing, a little more rant-ier, and a little more fun. So, without further ado, check out one of my first videos about Sarah Palin and speaking American.

And as they say on YouTube: like, comment, and subscribe.

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Fear

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Interview with Katie Hamstead, Author of Deceptive Cadence and the Kiya Trilogy

Today I had the opportunity to interview Katie Hamstead, author of The Kiya Trilogy, about her newest release Deceptive Cadence and about being an author, mom, and time-traveler (okay, sort of time-traveler). Check it out!

510ij-ZBjQL._SX307_BO1,204,203,200_Briefly, describe what “Deceptive Cadence” is about.

Deceptive Cadence is about a young woman who loses everything, but is given a second chance to change it. It follows her reliving her teen years as she works to mend the broken relationships in her life. But when you change something, you can’t anticipate the results, including for her, James walking into her life and making everything very complicated.

Tell us the story of how you came up with this idea.

I think everyone has regrets and “what ifs” in their lives. I’ve thought about things like that on and off, and wondered where my life would be if things had gone differently. Cadence is an exploration of that, but she can remember the mistakes she made so she doesn’t do them again. I even threw in some scenes from my own life to spice it up! I wonder if anyone can pick them out.

I’ve also read that you were influenced by the ocean and by your upbringing in Australia as you wrote “Deceptive Cadence”. Is that true? What were the other main influences for this novel?

Mostly there are trips to the beach. Like many Aussie kids, I lived on the beach during summer, and if I wasn’t there, I wanted to be there. Cadence is the same, which gives a taste of Aussie culture to the book.

There is also a strong focus on family and true friendship. Cadence learns about these things in more depth with her second chance, and learns how love is more than just romance.

This novel to an extent focuses on a tragedy that makes Cadence re-evaluate her life and her choices. Without compromising your privacy, was there an event in your life that had a similar impact that you drew from while writing?

I haven’t lost my husband and daughter, but on occasion I wonder what I’d do if I did. It’s morbid, but it happens to some people. I do know if an angel came and said “go back and you could change this” I’d snatch it up. I’ve seen people around me lose a child or a spouse through sickness or accidents, and I can only imagine how devastating that would be.

Changing gears a little bit: throughout your career, you have written various genres spanning historical fiction, contemporary romance, and magic realism. What differences, if any, do you see in your own process when you write different genres?

I don’t know. Historical obviously needs some time to research to establish a timeline, period mentality, etc. first, while contemporary can just be drawn from things around me. But I always try to write from the heart, to give my characters a raw, real feeling to who they are.

downloadBefore I ask this next question, I wanted to congratulate you on a recent success: your novel “Kiya: Hope of the Pharaoh” has sold 10,000 copies worldwide! What do you think has made it so successful? Are there any writing or marketing secrets you can share?

You know, I don’t know! Ha, ha! I know the biggest jumps I’ve seen are through sales promoted by Bookbub. These sales give things a kick start that flows through for several months and to the rest of the trilogy.

Personally, I maintain a blog with a page showing my works and links to them, a Facebook page, and a twitter account. I also work to be supportive of those around me, and those working toward their own publication. It’s amazing what karma can do!

Mostly, I share what I do with people I meet. It can be hard to put myself out there, but in general, people get pretty excited when they find out I’m published. Word of mouth spreads. In fact, I heard recently of a group that are nuts about my trilogy clear on the other side of Phoenix, and I don’t know any of them! That had to happen due to word of mouth.

Being a writer myself, I am always in awe of people who are able to do it full-time. Take us through a typical day for you as a writer.

I don’t know if I’d say it’s full-time. I’m a mommy first, and that is close to a 24 hour gig. Luckily, my kid is very understanding that I need time during the day.

My day changes every day, but usually it starts with me being up first to check emails and work on anything that came through during the night. Then I get ready for the day while the kiddo eats breakfast at a snail’s pace. In the morning, I try to get her out to do something, whether it’s visiting Grandma, preschool, visiting the library, or just running errands, to run off her energy and fend off her boredom.

After lunch, we have “quiet time” where she plays quietly in her room (technically) while I try to get some work done.

Hubs comes home in the evening, and I try to get dinner done, but being pregnant makes that difficult most of the time, and we try to have family time before bed and if we don’t have other commitments. Once the kid is in bed, we try to spend some time as a couple, talking, watching a show or something he discovered on YouTube, before I go into my bubble to try to get some words on the page.

But my days are extremely flexible. I have to be with a kid. I’m just glad I can work from home to help support my husband while raising our kid.

Related to your typical writer lifestyle, how long does it take you to produce a novel, and what does that process look like?

It takes me a lot longer than I used to. With my daughter being older, and more interactive, I have a lot less free time than I did when she was a baby/toddler and still took naps. Back then, I remember pumping out a novel in a month. Now, with her combined with a lot more editing commitments, it takes me quite a while, I don’t know exactly how long.

My process is… a jumble. I get ideas in my head, write a scene here and there to add later, but in general I write from start to finish, adding those scenes in as I go. If my head was laid out on a piece of paper, it would probably look like a giant mess with pictures and images everywhere, but it sorts out eventually.

What advice would you give new authors or prospective authors who are trying to make a successful writing career?

Write it out, review it, then get out and involve with other writers. I had no idea how little I knew until I knew better. Other writers helped me grow and learn in leaps and bounds as long as I stayed open to the constructive criticism. Writing is a game of patience and refinement. You’ll get there eventually.

Fun question (and related to “Deceptive Cadence”): If you could travel back to your high school years, what would you change?

I’d probably smack a few people in the head! Ha, ha, ha! No, but I would be more assertive and way less afraid. Outside of school, I was a pretty fun kid, but the kids at my school were brutal to me. I wouldn’t put up with it if I could change it.

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You can check out Deceptive Cadence and other stories by Katie on Goodreads. You can also check out Katie’s website for details on upcoming releases, promotions, and her blog!

Deceptive Cadence Release + PARTY!

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Hey everyone!

Today I have the honor of hosting a half hour of a Facebook Release Party for Katie Hamstead’s Deceptive Cadence. If you’re available from 3:00 to 3:30 pm EST, come join me at the party for fun games, a giveaway of The Black Oracle, and a celebration of Katie Hamstead’s latest release!

What is Deceptive Cadence and who is Katie Hamstead, you ask. Check it out!

Deceptive Cadence IICadence Anderson has the perfect definition of happily ever after…

Until she doesn’t. A freak earthquake shatters her life as surely as her home, taking away everything she holds dear. She wakes in a hospital to find that her beloved husband and infant daughter have been killed, crushed by the earthquake’s wrath. Disoriented, injured, and alone, Cadence refuses to accept the loss. So when a man claiming to be her guardian angel appears and offers her a chance to go back in time to save her family, she doesn’t need to give it a second thought. She accepts.

Thrust back eleven years, she now faces the ordeal of high school all over again. But this time, she’s armed with all the knowledge of her adult life and the determined to do everything better, from preventing the loss of her best friend to avoiding her original, drama-inducing boyfriends. She’s focused solely on Austin, her future husband, and is content to bide her time until she meets him again.

But then James Gordon crosses her path. Cadence wants to remain single, but James has his sights set. He is determined to win her over, and he’s very hard to resist. As Cadence starts to develop unwanted feelings for him, she realizes he threatens to disrupt everything, changing the future and distracting her from her original goal. Now, Cadence must choose: deny the unpredictable and exciting path James offers her, or stay true to the life she had and is trying desperately to resurrect. Second chances are more complicated than they seem.

Deceptive Cadence combines the soaring emotion of a heartfelt romance with the innovative storytelling of magical realism, crafting a uniquely moving, intricate tale about love and loss that asks: what would you do if given the chance to right all your wrongs?

You can buy Deceptive Cadence NOW from Amazon!

Katie-Teller-Author-PhotoAbout Katie Hamstead:

Born and raised in Australia, Katie’s early years of day dreaming in the “bush”, and having her father tell her wild bedtime stories, inspired her passion for writing.

After graduating High School, she became a foreign exchange student where she met a young man who several years later she married. Now she lives in Arizona with her husband, daughter and their dogs.

She has a diploma in travel and tourism which helps inspire her writing. Katie loves to out sing her friends and family, play sports and be a good wife and mother. She now works as an Acquisitions Editor to help support her family. She loves to write, and takes the few spare moments in her day to work on her novels.

Find Katie Hamstead on twitter, facebook, and her website.

You can enter to win a copy of Deceptive Cadence by entering here. Further, check out a trailer for the book here.

I hope you all will join me for the party! It’s my first time hosting so I’m a little nervous, but it should be a good time!

Wednesday Writerly Update #7

This week’s been a week of ups and downs. Not completely sure what’s to blame for my off mood, but I’ve recoiled a bit in terms of being so scatter-brained and tackling 50,000 things at once, and I’m trying to refocus (successfully?) on what inspires me to write: reading.

Anyways, progress on editing the YA horror novel has stalled. I haven’t edited any of it since last week, and I’m contemplating putting it on vacation indefinitely. The YA contemporary has been planned for what… two weeks now? Yeah, not much progress there either (read: none at all). In better news, the Middle Eastern fantasy novelette has seen an additional 1,000 words which is nice, but it’s nowhere near finished in a first draft form. I did however do another free write (I’m on a roll!), and I hammered out a 4,000 word short story. It’s a horror about teenagers but for adults, and I’m just teasing out plot points now. I’m thinking I’ll add another 2,000 words to fix pacing, develop characters, etc. before starting a comprehensive edit.

As for the NA speculative fiction novel, it is still in limbo. But we shall see, my friends.

Okay, so, goals. I’m not sure I want to make any for the coming week. Frankly, I’m not good at meeting goals. Yes, I like to goal set, but I’m thinking that by attaching expectations to what I’m writing is making me stressed out and a little weary (hence, my weird mood). So, let’s just say I want to write, and it would be nice if I could finish something for the time being.

Now for The Black Oracle news:

  • Reviews have been slowly trickling in which is awesome! If you’ve finished the book and wouldn’t mind leaving a review on Amazon or Goodreads, that would be great!
  • In addition to the signing at Roxanne’s Reflections Card and Book Shop in Fergus, Ontario on July 4 from 11:00 am to 2:00 pm, I have another signing on August 8. That one is at Chapters Woodbridge in Vaughan, Ontario, and will be from 11:00 am to 1:00 pm.
  • Chapters Woodbridge, you say? Well, yes, “The Black Oracle” is now available at that location. If you’re in the area, drop by and snap a picture of it.
Chapters Woodbridge

Derp faces all around!

Until next week!

5 Mistakes Authors Make on Social Media

I thought writing a novel was the hard part. I thought endless drafting and editing and proofreading involved the most work when it came to being a writer.

I was wrong. My debut novel has been on sale for a little less than a month, and I came to the conclusion very early on in its release that writing it was the easy (and far more enjoyable) part. Why? you ask.

Marketing. Marketing is a hard and seemingly endless process. Why is it so hard? Let’s put it this way: how do you get someone to care about the color of the underwear you’re wearing? 9 times out of 10, you don’t, and if you do, chances are the person you inform will give you a look and move on. That’s what marketing feels like: throwing underwear at random and hoping someone is a dirty underwear collector.

But I digress. This post isn’t about my trials of marketing at large but rather a very specific aspect of marketing: social media. And instead of telling you what I think works and has worked for me, I’m going to tell you what hasn’t worked and why.

The Insta-Direct Message

Let’s be clear about one thing: the auto-insta-direct message after I follow an author on twitter or like an author on Facebook is not okay. I don’t want to be thanked. I’m following out of interest not because I need to be congratulated for typical social media behavior.

Wanna know what’s worse? The auto-DM TELLING ME TO BUY AN AUTHOR’S BOOK! I don’t care if it’s on sale or has 100,000 5-star reviews or was written when you were spun out on heroin and disillusionment. The minute–nay, second, I get an auto-DM telling me to “check out my book”, I make a conscious decision to never read it. NEVER!

I even had one guy tell me he’d eat shards of glass to get me to read a free sample of his novel. I told him, “video tape it, or it didn’t happen”. He didn’t get my passive aggression.

/end rant.

Unrelenting “Buy My Book!” Drivel

I guess I just don’t understand when publishing became so spammy. Auto-DMs are annoying, but what’s more annoying is an author overloading my Facebook or Twitter feed with “Buy my Book!” or something else along those lines. It becomes even more annoying when said author spends money (this happens!) on “promotional companies” who literally just regurgitate the same message over and over from different spam websites (all of which have little to no followers) and post it on the author’s social media on their behalf.

Here’s the lowdown: I (and other readers, I’m sure) are more inclined to look into what an author has written if the author has posted something interesting and/or unrelated to your work itself. For example, if an author writes an excellent blog post on publishing or politics or the state of endangered iguanas, I may just be tempted to click the “My Books” tab on the website and then decide if I want to read.

Authors should strive to get organic readers that way.

Following to Unfollow

It goes like this: I’m on twitter, minding my own business, when I post something or retweet something with a popular hashtag. I then get a follow soon after by Billy Bob’s Stories about Iguanas. “I like iguanas,” I say. So I follow back.

I get off twitter, get to the WIP I should be working on, and instead of actually writing I end up back on twitter an hour later. But what is that? My follower count went down? That’s odd.

It’s also frustrating when I discover that Billy Bob’s Stories about Iguanas has unfollowed me almost immediately after I followed, and that’s why his follower count seems ridiculously high in comparison to his following count.

How deceitful, Billy! How unbecoming!

With these people, I immediately unfollow back. I find it annoying, rude, and egotistic when authors do this. And the worst part is when those same users follow me again months later and attempt to get me into another follow/unfollow bait and switch. You aren’t J.K. Rowling or Justin Bieber (not that I’m sure you’d want to be). Tricking people into following is annoying and definitely isn’t going to make me want to buy an author’s book.

Responding to Negative Reviews

There is a lot to say about this topic, but the best way for me to explain this point is to show you. Observe:

Bad Author

For context, this book had something like a 4.5 star average rating prior to this outburst. Look at the star rating now.

Despite the fact that flame-throwing is entertaining, funny, and something I can’t help but watch, it’s also cringe-worthy and unsavory for readers. Don’t make a bad name for yourself by responding to negative reviews (and I mean AT ALL). Do what other writers do: get a glass of wine, read a good book, and move on.

Self-Obsession

The number one mistake an author can make is acting like they are the only person on social media. These authors don’t interact, they don’t post anything but their own work, and they act like they’re a celebrity like Kim Kardashian who can get attention simply for existing.

The sad news is that you are not Kim Kardashian. At the end of the day, no one will care that you’ve written a book. You need to make people care. You need to engage with readers and prospective readers, you need to contribute positively to a community. And guess what? Doing so is easier than ever before thanks to social media.

What’s your biggest social media pet peeve?